Chris DeChiara

drums, percussion, timpani

Filtering by Tag: percussionist

2022: The Wrap

Now is the time to look back and reflect on what the holy hell just happened. It’s easy as a creative person to always move on to the next “thing.” So in the words of Graham Cochrane - “If you can learn to recognize and celebrate the small milestones along the way, you are really providing yourself with gratitude and endless motivation to reach your goals, even if they feel really far away in the moment.” So this is my way to do that and realize how much this year has been full of amazing moments - musically and not. While I try to celebrate it in the present, sometimes it doesn’t seem to happen. So what did happen? Strap yourself in and read on!

This year saw a huge milestone in that I retired from the US Navy after 21 years of service. I had my retirement ceremony in mid- April, then went on terminal leave till I officially retired on May 31.

I posted an album on my FB page of some of my favorite memories. Here are 250 of them since 2001 ;)

It’s pretty surreal to not be doing the things I did for 21 years - funerals (in frigid and beyond hot temps), concerts, ceremonies at the White House, Pentagon, Navy Memorial, all over DC and beyond; touring the country, soloing with the band, inaugurals, recording sessions, and of course the lifelong friendships that came out of it. I’m beyond grateful I got this job way back in 2001 a few years after grad school and was able to do so much outside of it at the same time.

The first band I got in after joining the Navy Band was Dr.FU (2004) and we’re STILL going! Maybe not as much, but we’re still doing the usual bars, clubs, summer sizzlers, private parties, and even occasional weddings. These guys are lifelong friends as well and I can’t believe we’re still playing music and people are coming out.

Beatles acoustic tribute, Nowhere Men, played some more outdoor shows outside the State Theater, The Perch at the new Capitol One Bldg, and our first retirement home! We’re looking forward to “Getting Back” to lots more gigs in 2023. I really love singing Beatles music and it’s nice to be in a band with a bunch of massive Beatles nerds and friends.

Iron Maiden tribute, Eyes of the Nile, are going really strong. This band is a force and playing with these guys is a pure joy. We seemed to become regulars at Tally Ho Theater in Leesburg, VA (we’ll be there Feb 4, 2023) and feel like it’s our VA home now. We recently played the new Salisbury Center in Manassas and a couple shows at the amazing Elevation 27 in VA Beach. We debuted at a couple venues, The Southern in Charlotte (the Harlot) sville and Phantom Power in Millersville, PA (returning Feb 18). If there was one highlight of the year for EOTN, it was playing the Orange County Fair in Middletown, NJ in July. Joining us on stage was Chris Caffery from Trans-Siberian Orchestra, Savatage, and many more. Growing up a Savatage fan, this was big for me. We played Iron Maiden’s “The Trooper” and “Wrathchild,” but also Savatage’s power ballad “Strange Wings!” A career highlight for me. Check it out HERE. Unfortunately, we didn’t have Jason, one of our main man guitarists, but got lucky last minute with a fill in from a local Maiden tribute. A small miracle that ever worked out!

We have a lot of exciting things coming up in 2023, so if you like Iron Maiden music, consider following us on Facebook IG (@eyesofthenileband) our website or our youtube page.

Here is a preview of what you can expect at a show!

Outside of the regular bands, I played some church gigs, cabarets, and got my country/country rock on with Georgia artist, Clay Page (yes, that Clay Page from American Idol) and Scott Kurt. Always have to learn a ton of tunes for those gigs!

Besides teaching some private lessons from home, I’m now Adjunct Percussion Professor at Catholic University! I’m teaching music and non-music majors drumset and percussion and will coach the ensembles as well. After playing and rehearsing at CU for many years with Great Noise Ensemble, I know the school and faculty well and it’s nice to have my own percussion studio.

In the classical world, I played shows with the Harrisburg Symphony (including a drum solo in Sing, Sing, Sing every night for a week), Maryland Symphony, Apollo Orchestra (finally played John Adam’s Chairman Dances), Alexandria Symphony (another Scheherezade performance and played drumset on a tabla concerto!), La Traviata with MD Opera was a thrill, New Orchestra of Washington (a chamber version of Tchaikovsky’s 5th Symphony), Cathedral Choral Society (live stream of Verdi’s Requiem at the National Cathedral), Delibe’s “Lakme” opera with Washington Concert Opera, Mozart’s Requiem and Beethoven’s 4th Piano Concerto with a pickup group of amazing musicians, Delaware Symphony, among others. I did a show of film music for the Middleburg Film Festival in which many of the composers were present including the infamous Charles Fox. Little did I know that he composed music for Laverne and Shirley, Happy Days, Killing Me Softly (yes that one), Love Boat, and a million others. Was a blast to have him conduct as well!

Another highlight was with Sorrow & the Spire. This is the side project of Navid Rashid (of Iris Divine and singer of Eyes of the Nile). He wrote 6 songs which we all recorded separately in our own homes and it was FINALLY released this year. Steve Brown (Trixter, Def Leppard) produced it and made it sound kick a**. Turns out our first show was opening for the legendary 80’s band, KIX, at Tally Ho Theater. We played all 6 songs and it was an amazing night. Hope to do it again!

Music releases included Iris Divine’s “Mercurial” in which I again played a lot of percussion as with their previous album, “The Static and the Noise.” I also have an engineering/producing credit! We recorded a ton of stuff at the house with the ears and eyes of Navid watching over the session. Their drummer, Scott Manley, also came over and recorded a few things as well. Have a look at their video for the super catchy “Sapphire” HERE. I played a lot of mallets on this one including vibraphone, glockenspiel, and marimba. You can hear it at 1:59. Get the album HERE.

I also played on the new EP by Anthony Nuccio’s band Animal Ion. The song is called Insane and it is intense! You can check out the EP HERE. Anthony sings in the ever popular 80’s band, The Reagan Years. Look out for some Animal Ion gigs with me behind the drums in 2023!

Here is the drum take I did for it with the mastered audio-

Speaking of drum videos, I posted a bunch of drum cam footage here from mostly Eyes of the Nile gigs. I also did a tribute to the late, great Taylor Hawkins and the Foofighters song “Walk.” Zink and Jose from the band Shumaun, Bill Whitney, and I (we did Toto’s “Africa” last year) teamed up on Dream Theater’s classic, “Pull Me Under.” Of course I also had to do a drums cam version for it. Click the pic to take you to Youtube-

And speaking of Dream Theater, I FINALLY finished all the drum transcriptions of Images and Words I started in 1993. Yes, 1993. I started transcribing the songs with pencil and cassette during one of my jobs. I finished the whole album and even met Mike Portnoy around then to show him. He seemed impressed, wrote down his management’s address and suggested I send them a copy. So I did. Nothing. Ever since then it’s been in the back of my head to get this into a professional drum book. I had two articles written in Modern Drummer, but never got an actual book off the ground. During the pandemic, I started revising my pencil to paper versions and getting them into Finale. Now that they look legit, I’ve talking to one of the biggest drum book publisher and even though I’m kind of convinced it won’t happen, there was interest and it’s still possible. If nothing else, they will go up for sale on a transcription website and mine as well. Check them out here.

And speaking of books! The Rite of Spring - A Percussionist’s Guide still finds its way around the world. I love getting a notification that one sold to someone I don’t even know in another country. I can only hope they like it. Read all about it here.

During the pandemic, I made a video of one of the most epic moments of The Rite of Spring. In Dec. 2022, it reached over 100,000 views on Youtube. Seems people like Stravinsky more than Dream Theater, Iron Maiden, covers, etc :) I made another concentrating on a different section and that seems to be gaining some ground as well. Thank you to anyone who has supported these vids and the book!

2022 also saw the release of two BluRays! Both are Buster Keaton silent films that my colleague at Catholic University, Andrew Simpson, wrote music for - The Saphead and Little Women. The Saphead saw it’s first live performance this past November at the AFI Theater in Silver Spring. If you’re interested, you can find the BluRays on Eureka’s website.

I saw some great live music - Sammy Hagar (I met Jason Bonham!), Porcupine Tree, Mammoth, Iron Maiden, Corey Wong, Bass Extremes (Gregg Bissonette, Victor Wooten ,and Steve Bailey), The Aristocrats (Marco Minneman, Guthrie Govan, and Bryan Beller), John Petrucci w/ Mike Portnoy and Dave Larue, and Bruce Dickinson’s speaking tour.

I also took a couple of epic trips - Utah and India!

Utah was full of hiking in Salt Lake City and Bryce Canyon. My friend Laura (ex-Navy Band clarinet and the biggest go-getter you ever met) drove us down from SLC to Bryce, then through Zion on the way back to SLC. I was invited to speak to the percussion studio at the University of Utah about all things career development, social media, auditions, and music! Thanks Michael for having me and Laura for setting it up. I had mole for the first time in a while and I am now officially hooked. It was also great to see an old friend from grad school days. Madeline Adkins is now the Concertmaster with the Utah Symphony and they sounded fantastic.

India was an adventure of a lifetime. New/Old Delhi, Agra, Jaipur, Varanasi, Kolkata, and Darjeeling. Pictures will do more justice than words, so here are a few of the 2500 pics I took-

Another milestone…I celebrated the Big 5-0! I’m trying to do what I can to get in the best shape I’ve ever been and I know it’s possible. I don’t need a new year to make it happen, but it does give you a little push. Here’s to 50 more!

Lastly and looking ahead…in mid-January, I’ll be headed to sunny Florida to play some shows with a group called “SANCTUS.” It’s comprised of a rock band, male/female vocals, dancers, percussionists, backing tracks, and the star of the show - 40 tons of carillon bells! I have been practicing this hour long show for a while to have it completely memorized. We’re playing covers of Evanescence tunes, Skillet, Nightwish, but also arrangements of Harry Potter music, Carmina Burana, and more. It will surely be epic. If you’re in the area, come check it out here!

Well, I think that’s it. If you made it this far, thanks for reading. And to anyone that has gone to a show and supported me and one of my bands, I truly thank you! I can’t wait to be out there again and make more music and meet more great people. Till then, Happy New Year and see you in 2023!!

New release! Iris Divine - Mercurial

Iris Divine released their latest album recently and it’s another MUST LISTEN. I had the honor of playing percussion on it again and even got an arranging and engineering credit!

Here are some of the reviews coming in:

“The focus on delivering the right riff and rhythm section combination…keeps Iris Divine away from being a mere ‘technically brilliant’ band only for the musician set – logical songwriting skills are paramount.” Dead Rhetoric

“An Iris Divine album always gives you a unique experience, but this time it comes with genuine bounce and swagger. This is an enjoyable album, taking the band in a more commercial direction, and another definite for the playlist. 9/10 Powerplay Magazine

"The musicianship from a trio is quite impressive...Brian Dobbs is also a monster on the bass guitar, playing with the fluidity of Geddy Lee and the ferocity of Les Claypool...an intelligent and sophisticated sense of songwriting. The production is also top notch. You don’t want to miss this one." Metal Temple

Navid was more than happy for me to come up with whatever ideas I had after listening to all the demos. A lot of the guitar and keyboard lines translated easily to mallet percussion (glockenspiel, vibraphone, marimba, and/ xylophone) in my head. The industrial aspects conjured up concert bass drum hits, brake drum clangs, thundersheet wallops, and gnarly sounding effect cymbals. We also experimented with cowbell, rototoms, darabuka, djembe, hand claps, gas can, shakers, bell tree, concert toms, a jazz ride cymbal, extra snare drums, vibraslap, and I’m sure a lot more. Some of the instruments like vibraphone, marimba, and glockenspiel play in unison or in harmony with the keys and/or guitar (the breakdown of “Sapphire” especially), some instruments play their usual role (cowbell and shaker) and some add texture and impact (bass drum, effect cymbals, thundersheet etc).

The idea was to at least HAVE the options to bring into the mixing stage and then cut the fat off. A lot made it, a lot didn’t. Of course the end result is tasteful as a lot ended up being superfluous anyway.

Here is an example of the mallet parts in “Sapphire”-

And here it is in context with the bass, keys, and guitar-

Some more pics-

Here are all the pertinent links. I hope you check out this great new album!

Spotify: https://spoti.fi/3agYpE1

Apple: https://apple.co/3sQ9iTt

Deezer: https://www.deezer.com/en/album/312597437

Youtube: https://youtu.be/E5Za-QWwtMY

Bandcamp: https://irisdivine.bandcamp.com/

CDs and T-shirts: https://irisdivine.bigcartel.com/

CDs outside of North America: https://www.layered-reality.com/.../iris-divine-mercurial/

Sorrow & the Spire-Debut Single and Video

Last Sept. 2020, I wrote about recording six songs for Sorrow & the Spire, Navid Rashid’s solo EP. I’m happy to announce that the first single, “My Misery Calling,” is officially released with an accompanying video:

Here is a link for streaming audio. Click the pic!

Navid Rashid-Vocals, Guitar
Jeff Teets-Bass Guitar
Chris DeChiara-Drums, Percussion

Special Thanks to Steve Brown (Trixter, Tokyo Motor Fist, Def Leppard) for his dedication to the project and making it sound as good as it does.

Thanks to LJCreative for being so into the project and sweating just as much as we were!

It’s interesting to watch the final video knowing the ordeal that went into setting up the shoot. The venue was Graffiti Warehouse in Baltimore, MD. There were two studios inside and we didn’t know till we were able to start bringing equipment in that we were on the second floor - up two VERY steep and long sets of stairs. Of course, I had to bring the 6-piece DW kit, rack, drum riser, and a bunch of cymbals. Needless to say, it was the hardest load-in of my entire life. And that is with help! As luck would have it, the room we were in consisted mostly of windows…letting that nice hot sun add that special touch. The natural lighting did look good though!

Since we recorded three songs, the drums would have to move to a different part of the room for each one. Sounds easy, unless your drums are on a rack system on top of a drum riser, with uneven wooden floors. Moving the kit a couple feet was an ordeal itself!

After a couple hours of shooting each song 3-4 times each, our time was up and we needed to get everything out of the building ASAP. Going downstairs IS easier, but it was still brutal. Dump everything in the alley, do an interview, pack the car, and finally…pizza. I’m not sure pizza never tasted so good. Or water. But thank you Joe’s Squared for being open and for being so damn tasty.

I really hope this project takes off as all six songs on the EP are incredibly strong. Please check out the links above and follow the band if you’d like as well:

www.facebook.com/Sorrow-The-Spire-105463695020899
www.instagram.com/sorrowandthespire

Thanks for the support!

Chris










2020: The Wrap

There isn’t much to say about 2020 that we don’t already know. It left a lot of people unemployed, furloughed, relocated, and struggling mentally as well. I’ve been holed up at home most of the time and grateful I have a job that supports me. It still isn’t easy not seeing people as much and I think we’ve realized how much we need human interaction. As great as Zoom is, it’s obviously not the same.

I had the time to put together some projects that would have NEVER have happened if it wasn’t for the pandemic. Not one to sit around, there ended up being a ton of music projects. And reading!

January started with a massive bang as Eyes of the Nile (Iron Maiden tribute) opened up a show at Tally Ho (first time!) to a pretty damn nice crowd. There’s some great footage here. A couple days later, I’d realize that I would be playing there again the following week.

I wrote about this in an earlier blog (RIP Neil Peart 1952-2020), but it was one of the craziest times of my life. I flew to NAMM (in Anaheim), flew back a couple days later (to Virginia), last minute sub gig (on one week notice) for the Rush tribute, Sun Dogs at a sold out Tally Ho Theatre (Neil Peart just died the week before), flew back to NAMM (Anaheim!) the next day, shot a video of Rush’s Limelight for Soultone Cymbals, and flew back to Virginia that same night/morning. This was in a span of 8 days. A couple hours later I was rehearsing a concert with the US Navy Band and Johan De Meij conducting his own works (some of the hardest xylophone I ever had to play). The same week, De Meij also conducted a program of his own arrangements for brass and percussion with Barclay Brass. Some of his timpani parts were a challenge!

A couple more Dr.FU, Eyes of the Nile, and Nowhere Men (acoustic Beatles tribute), and classical gigs later, the pandemic hit. Things got cancelled one by one and while the concerts with the Navy Band all got cancelled (including trips to Norway for the International Tattoo) and Singapore, funerals went on mostly as planned albeit “modified.” We started doing a ton of video productions from home and I contributed audio and video to these “virtual collabs":

  • When I’m 64 (drumset/vibes)

  • Luz for clarinet and percussion (cajon, claves, shaker)

  • Dance of the Rose Maidens mallet quartet (xylophone)

  • 1812 Overture finale (bass drum)

  • Instruments from a Distance” which was a short percussion demo demonstrating the coolness of percussion:) I played a little drumset, cymbals, bass drum, snare drum, conga, marimba, glockenspiel, castanets, timpani, vibraphone, and tambourine.

  • Double Stroke Roll explanation

  • Stars and Stripes Forever (bass drum)

  • Mahler 2 (excerpt-timpani 1)

I also recorded Pomp and Circumstance (timpani and bass drum) for the virtual graduation for New England Conservatory graduates.

Nowhere Men recorded a bunch of collabs that I edited:

I recorded multi cam drum videos for these great songs:

The band collabs were:

  • Hang On For Your Life (Shooting Star)

  • Dreams (Van Halen-with musician friends)

  • The Evil That Men Do (Iron Maiden-with Eyes of the Nile)

  • Indians (Anthrax, updated with Navid singing and special guests)

  • Learning to Live (Dream Theater, updated with Zink on vocals)

These were fun duets where I played both parts:

I also recorded some albums for some amazing musician friends-

Two of the biggest projects were labors of love-my new book “The Rite of Spring- A Percussionist’s Guide” and my first teaching course called The Single Stroke Roll. I wrote about them already in detail, so check out the links! I also made a list of some of my biggest pieces of advice for musicians called 13 Strategies in Becoming a Successful Musician. I really feel like anyone can benefit from this (for life), so check it out!

And more:

  • Virtual masterclass for DMV Percussion Academy

  • Virtual masterclass for UMASS Lowell percussion studio

  • Friday Night Live live stream with Herr Metal and live show at Middle(metal!)burg Barn

  • Live stream (and podcast) with the all new viola duet “Violacentric” playing three Bach Inventions (marimba and viola)

  • Two live shows (the second closing out 2020 on NYE!) outside the State Theatre with Nowhere Men

  • Multiple podcasts with the metal folks at Somewhere in Time

NOT musically related, I got through these books:

  • I Will Teach You to Be Rish

  • Far and Wide (Neil Peart)

  • Far and Away (Neil Peart)

  • Random Acts of Kindness

  • The Infinite Variety of Music (Bernstein)

  • Sebastian Maniscalco autobiography

  • Liberty: Life, Billy, and the Pursuit of Happiness (Liberty Devitto)

  • Rules of Thumb

  • Bulletproof Diet

  • Leonard Bernstein autobiography (Burton)

  • Crime and Punishment

  • Confess (Rob Halford)

Homeownerwise, I had three trees cut down and a new roof put on!!

And finally, I want to share an excerpt from my current reading (The 12 Week Year). This hits the nail on the head for me:

In most areas of life, we have very little control over our outcomes - especially when dealing with other human beings.

We can try to INFLUENCE our outcomes. We can change what we are doing and see how that impacts our desired outcome. But we can’t control our outcomes.

So it’s critical to pay attention to and know what you do have control over, versus what you don't have control over.

By knowing this, you can both make smarter decisions, and have healthier reactions in all of life’s situations.

Here are some things you can control as we head into the new year…

You can control what time you get up in the morning.

You can control how much effort you put into today’s work.

You can control whether you ask for help when you need it.

You can control what percentage of time you let yourself be distracted throughout the day.

You can control what opportunities you pursue, and what energy and effort you put into realizing them.

You can control having the right equipment and supplies around you, and how you take care of them so they’ll be ready when you need them.

You can control your training and preparedness for whatever you will be taking on.

You can control where you focus your emotional and intellectual energy and intention.

You can control how you treat others.

You can control what you bring to any given situation.

You can control your decisions and actions.

You can control your mindset.

You can control you.

At a foundational level, you control your thinking and your actions, and that is about it. But that is enough, IF, you are intentional with it.

If you’ve made it this far (Bueller…Bueller…??), thanks for reading and Happy New Year!!!

-Chris

The Rite of Spring-A Percussionist's Guide

I wrote a book!

This was NOT the plan. There was NO plan. During this pandemic (around April/June 2020), I revisited an old paper I wrote in grad school about the percussion parts in Stravinsky’s “The Rite of Spring.” I always thought it could be in Percussive Notes magazine (the classical percussion version of Modern Drummer magazine) and began to read through it 25+ years later. I contacted the Percussive Arts Society about publishing it (as an article) and they were all for it. While editing it, it got longer and longer - way too long for an article in a magazine. I thought - ebook! And then it occurred to me, this could be both - paperback AND ebook. Why not? And that’s what it became.

That is the extremely short version, but it’s all in the Preface:)

This book discusses all the editions of the scores/parts and many of the discrepancies between them. These discrepancies have resulted in many different ways of interpreting the parts - since 1913! My goal was not only to shed some light on these issues but offer many options, ideas, anecdotes, and personal experience into performing/conducting this monster of a work.

Percussionists and conductors will both benefit from this book and it’s my hope that it will not only be enlightening, but used as a resource for many years!

Also covered:

  • Choosing the right instruments

  • Creating the ideal sound in specific passages

  • Choosing an ideal set up, especially for the timpanists

  • Practical performer considerations within the context of real orchestral experience

  • Historical context that helps all of the above

  • Thinking about the specific sounds for each instrument’s part

  • Options for performing certain passages

  • Musical examples providing harmonic and rhythmic context with other percussion instruments and the rest of the orchestra

    Not only will percussionists and timpanists benefit from this, but conductors as well.

    If you’re interested, check it out here!

For the diehard fan, I made a video of the section from 3 before 65-71 and 72-79 . Check it out!



New album by D.J. Sparr

 

A couple months ago I was asked to record some songs for D.J. Sparr’s new album - Hard Metal Cantüs. Well, it’s finally out on Innova Records, the label of the American Composer’s Forum.

D.J. is an amazing guitarist and composer whom I met years ago when he was a soloist with the Great Noise Ensemble, where I was principal percussionist from 2005-2015. We also played some of his pieces and would perform together; he’s one of the few people I know that goes from classical to rock in a heartbeat.

One of the pieced that we played back then, “Folios,” was reinvented by taking electronic percussion/drums and performing them on acoustic drums. Now dubbed “The World Within,” I had to find a way to take a multilayered midi drum part and record all the layers myself. There were sections that were literally impossible to play, so I would record just snare and bass drum, then maybe hihat alone, or just splash cymbal chokes. For one song I used regular hihats to my left and a stack (a lot tighter) to my right, playing the complete hihat part divided between the two sets. Another hip-hop flavored song brought out my new Grover 5x10 snare and it received many rim shots.

The sounds were then manipulated and processed so that some of my drums don’t sound anything like how I recorded them-like completely different instruments. Very cool stuff. There’s elements of Zappa, Cowell, EDM, R+B, and Hip Hop.

If you’re interested in checking it out, head to the link below!

https://www.innova.mu/albums/d-j-sparr/hard-metal-cant%C3%BCs

“The album closes with a look inside. The World Within is our internal place, the world within our own mind…which if you learn to control, you become irresistible. Here we go from the outer worlds to our inner world. And then of course, even the worlds that are within ourselves. It is here that Sparr's rock-funk wah-wah guitars take the highest voice in the polyphonic tapestry. It uses the same musical processes as the previous works, but with hair tied up in Zappa-pig-tails accompanied by snare-cadence rock drums, a studio string section, Austin Texas Bass, and a wall of guitar amps.”

 

2020 has been interesting. And BUSY!

Late to the blog party again. It’s been since Neil Peart passing that I have written last. His untimely death prompted me to write about his influence on me and the tribute show I played with Sun Dogs.

Since then, we were/are bitten by COVID-19. It’s a sensitive subject because I know so many people who have lost jobs, relocated, and are seriously struggling financially. I’ve received calls from people for gigs that I couldn’t help them with because all my freelancing gigs went down the drain. I’ve always been grateful as hell for my US Navy Band job, but I couldn’t describe how lucky I am to have it during this time. It’s given me the chance to accomplish some things I never had the time for. I even wrote a book that I never intended to write.

I’m not one to sit around and watch TV all day, so it was time to tackle this stuff head-on. Tackle what? Besides the numerous Navy Band virtual collab videos I had to do, there were maybe ten Nowhere Men videos we put together as well. Writing it down doesn’t come across as being much, but trying to put together a quality video takes a TON of time! Even though we kept the NM videos pretty loose, there’s a ton of editing that goes on and since I’m quite the novice (but enjoy it) and I don’t have the right computer, it takes some time.

The two biggest musical accomplishments for myself have been finally starting producing courses (that I’m listing for sale here on my site) and a book on The Rite of Spring.

It’s been a goal of mine for over a year to start an online business. It’s been taking shape as beginner-intermediate courses and the first one, the single stroke roll, is finally finished. Just a couple of finishing touches and it will be for sale here soon. I plan on doing more courses like this focusing on what I think are the most important rudiments in drumming and how they apply not just to the pad/snare drum, but the drum kit, and orchestral percussion. The amount of video time clocks in at around 75 minutes, but it really feels like 3 hours! I feel there’s a lot of good information and I hope people get the chance to check it out and offer some feedback. If you’re interested, just head to the Store and you’ll see it in there.

Brown+Modern+Collage+Instagram+Post.jpg

I HAVE A STORE!

LESSONS

CONSULTATIONS

RITE OF SPRING BOOK (SOON!)

For over 20 years, I’ve been meaning to get an article I wrote in grad school published about the percussion section in The Rite of Spring. I didn’t know if it still had legs or not, but while organizing photo albums (damn COVID!) I came across the article again. It seemed like there was some life still left (assuming some grammar editing…) so I approached the Percussive Arts Society on possibly publishing it. They were very interested, so I got to work on the editing process. While editing, I was not just correcting things, but starting to ADD information that seemed worthy and really ended up going down a serious rabbit hole. What started as seven typed out pages (on an old electric typewriter-I’M OLD!) turned into over 68 pages chock full of incredible information and musical examples. I had some help along the way, but for 3 months, this was all I could set my mind to every day. I never thought I’d see the light at the end of the tunnel, but as we speak it’s being formatted for ebook and paperback formats. I kind of can’t believe it!

Here it is!

Here it is!

A couple other projects coming up or recently finished:

  1. Working on recording new music by Navid Rashid. Recorded 2 of 6 tracks so far and the songs are killer!

  2. Recorded 4 songs for DJ Sparr’s upcoming album in October. These were a blast to record-lots of layering of instruments in different styles. Funk, hip hop, EDM, R+B. Gonna be a fun listen!

  3. Double stroke roll lesson is being planned out and video to be shot soon.

  4. Included Lessons and Consultations in the Store (besides the book and SSR lesson)

On the gig front, Herr Metal just did their first live stream in lieu of the usual Friday Night Live! series in Herndon, VA. This is usually one of the biggest shows of the year, but considering the circumstances, they went to a live stream format. I’m happy to say we received over 2.5 million views and turned ArtSpace Herndon into a Rock n’ Roll Hurricane!

The only other gig on the books is a drive-in style show with Herr Metal and The Darby Brothers. These guys know how to play and sing. We can’t wait to share the (big) stage with them. 9/5 at Middleburg Barn. This is also a benefit for SVERN Equine Rescue!

Here’s a link if you’re interested:

https://www.etix.com/ticket/p/4936908/tailgate-live-music-series-at-the-middleburg-barn-middleburg-the-middleburg-barn-at-fox-chase-farm?fbclid=IwAR27REDHoNRo2gdJUlX_Q6qml2cOhuUcCUfnaf9MVHBAtxaq1JhRv8zsthU

Stay safe and thanks for reading!

-Chris

Michael Colgrass (1932-2019)

In 1995, I was a sophomore at UMASS Lowell. My teacher and percussion ensemble director, Jeff Fisher, decided to do a “mini-Colgrass festival” that semester. Half of the program would be dedicated to some of Colgrass’s percussion works. Of course, I never heard of Michael Colgrass. I say “of course” because I was such a late bloomer to the classical world and wasn’t until college where I developed as a serious player, played mallets, and learned about classical percussion. Before this, I didn’t know a thing except playing drums in a band. Not that that was a bad thing and proved to be invaluable down the road, but…anyway…a friend and I were asked to perform a snare solo from his Six Unaccompanied Solos for Snare Drum. Considering I never played a “legit” solo in my life and the rest of the program were ensemble pieces, this felt like quite the honor. Here it is, hair and all. And getting out of there as soon as possible after for some reason…

When I was at UMASS Lowell in 1995, Jeff Fisher, the percussion ensemble director programmed a "mini Colgrass festival" consisting of one half of the program dedicated to Michael Colgrass's percussion pieces.

During the concert, Jeff mentioned a story about Colgrass freelancing in NYC. He was walking down the street and didn’t know whether or not he was coming or going to/from the gig! It was soon after that he decided to become a full time composer. This story stuck with me for some reason.

Three years later in 1998, I was a student at the New England Conservatory and the wind ensemble I was in was preparing Colgrass’s “Urban Requiem.” The piece was a beast to prepare-each percussionist’s station of instruments in specific locations around the stage. Mine consisted of 3 separate stations-a steel drum part (an instrument I never played before and included solo part with clarinet-that was hard!), general percussion, and a drumset station in front of the conductor where you were basically part of a jazz/bop combo later in the piece. I don’t remember if I knew that Colgrass would be there or not, but lo and behold, there was the man himself at one of the rehearsals. The story I heard years ago permanently etched in my brain, I enjoyed getting the chance to ask him about this. If it were today, there would be a selfie involved. I left Jeff a voice message telling him that I told Colgrass the story I heard years ago 3 years ago. He was floored that I met and told Colgrass this, but mostly that I heard and remembered the story at all!

Later that year at NEC, I learned about Colgrass’s book, My Lessons with Kumi (maybe he told me?) which was all about performance anxiety. Since I was playing recitals and starting to take orchestra auditions, I needed all the help I could get. I used a couple of the tactics inside, but mainly enjoyed the great “Karate Kid” like read.

Many years later while a member of the US Navy Band, I was performing a lot of “new music” on the side. In 2007, I finally had the chance to perform some movements of Colgrass’s “Variations for 4 Drums and Viola” with my friend Rebecca Kletzker-Steele. “4 Drums” (rototoms) has been a staple in the repertoire and I’ve been itching to do it forever. We played it on a couple occasions and was a blast to put together and perform. Check out the “Finale” here-

Even though I didn’t have a lot of experience with his pieces and our meeting was brief, his music was introduced to me while I was developing my classical musician skills. Many years later, it’s time to honor him and break out some of his music again! Where do I start?

RIP Michael Colgrass (1932-2019)